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[i]>stretching=bad (has to do with ligaments and tendons)
>lengthening=good (has to do with muscles)
>There isn't much difference between men and women lengthening positions. It is best to do stretches for the purpose of lengthening when the body is warmed up (IE: after exercise or dance class). It is also good to do prior to practice but it is when the body is warm that the best results may be obtained.
>That being said.
>YOGA positions are great for lengthening your body. They teach you a lot about looking inside to find your tight spots.
>Swan Dive = good for the hamstring and calf lengthening.
>Warrior 1,2,3 = great for strengthening and lengthening the legs with little idiosyncrasies to isolate different spots of the legs.
>Frog pose = great for getting better turnout of the legs without stressing the knees or ankles.
>Trikansana = good for the inside of the legs, from the knee to the hip
>Child pose = great release of the body.
>Dancer pose = great for the front of the legs, thighs.
>Tree pose = great for strengthening the "little" stabilizer muscles in you legs as you stand on one leg.
>There are some real great spine limbering moves as well. Most "basic" or "beginner" yoga classes will go through a series of poses along with breathing exercises to help get the most out of the positions. IT is all about compression and tension, flexation and relaxation, ying and yang stuff.
>A lot of times with ballet classes it is up to the individual to warm up and stretch prior to class and after. I have seen some studios never show the class how to prepare for class. YOGA is a great place to start; after about 4 sessions you will get a real good idea of where you need work and how the poses are to be done. Yoga and Ballet live in a parallel universe. The combination of these exercises (plus a little boxing and martial arts) is Pilates. Pilates has the tendancy to work the body in Turned in (martial arts), Turned out (ballet), and normal joint (jazz) positions.
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